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When It Comes to Burning Photos, How Much Is Too Much?
Posted By Heather S. Hughes On February 3, 2008 @ 9:00 pm In Photojournalism | 2 Comments
Now that contest season is upon us, we are digging through the year’s work for the gems we hope have a chance of placing somewhere. I’ve noticed that many recent photojournalism contest winners feature such heavy burning around the edges that I’m reminded of photographs taken 30 or 40 years ago. Photographers defend the retouching by saying it “creates a mood” or “helps your eyes focus on the subject” or “gets rid of distracting elements.” But is the practice ethical?
One North Carolina photographer was told that it wasn’t, and he was stripped of his awards . Some of his images  had such heavy burning that the background was black and the subjects looked like they had been cut out. But with others all he did was increase the saturation a little bit to help a sunset or fire.
So what is ethical? If you wouldn’t do it for the newspaper or magazine, is it acceptable to do it for a contest? Is it OK so long as you aren’t cloning anything in or out of the photograph? Or is it OK so long as it is obvious you burned the edges down, so the viewer will not be misled?
Personally, I don’t mind a little burning around the edges or dodging of the highlights. But when I say “a little,” I mean it should not really be noticeable, because reality and truthfulness with photographs should be maintained at all times. If you create a beam of light into a room that wasn’t there, or create a dark halo around the subject, or burn one to almost black because the background is distracting, then you have crossed the line.
We each decide how far we are willing to go when toning a photograph, and for most of us that line is a result of our training or what we have seen our peers do. As we continue to see heavily burned photographs win contests, an increasing number of us are beginning to think it is not only OK, but necessary to win.
I suppose no one person can decide where the line is, but organizations like NPPA or Poynter have rules to define where that line is, as do most publications . The guidelines prohibit manipulation. The problem is that “manipulation” is not clearly defined in many cases, and many photojournalists have come to believe that burning — even heavily — is acceptable.
I think we should stay true to our profession. That means that if the photo looks unnatural, we’ve crossed the line — for the newspaper and for contests. There should not be different rules for one or the other, and judges should enforce those rules and not reward this kind of behavior.
If you are competing as a journalist, then your photographs should be honest. That means the moment should look the same in the photo as it did when you looked through the lens. Sometimes we have to dodge, burn, or add saturation because our exposures were not perfect. But I believe all of that should be done only so far as it helps the photo mirror reality.
Maybe this is just a trend coming back into style that will fade with the fashions in time. But heavy burning is manipulation, and I won’t do it. It feels wrong and, for me, that means it is wrong.
Where do you draw the line?
[tags]photography contests, photojournalism[/tags]
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 stripped of his awards: http://www.poynter.org/column.asp?id=45&aid=44660
 his images: http://www.poynter.org/content/content_view.asp?id=47867
 most publications: http://www.poynter.org/content/content_view.asp?id=46964
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