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	<title>Comments on: The Art of the Headshot</title>
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	<link>http://rising.blackstar.com/the-art-of-the-headshot.html</link>
	<description>Professional Photography Blog</description>
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		<title>By: Pam</title>
		<link>http://rising.blackstar.com/the-art-of-the-headshot.html/comment-page-1#comment-5831</link>
		<dc:creator>Pam</dc:creator>
		<pubDate>Thu, 10 Sep 2009 01:04:19 +0000</pubDate>
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		<description>Great article, my fav in photography is people, just keep shooting film is cheap.</description>
		<content:encoded><![CDATA[<p>Great article, my fav in photography is people, just keep shooting film is cheap.</p>
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		<title>By: Diana</title>
		<link>http://rising.blackstar.com/the-art-of-the-headshot.html/comment-page-1#comment-5784</link>
		<dc:creator>Diana</dc:creator>
		<pubDate>Fri, 04 Sep 2009 18:42:26 +0000</pubDate>
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		<description>Excellent Article !!!</description>
		<content:encoded><![CDATA[<p>Excellent Article !!!</p>
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		<title>By: Dave</title>
		<link>http://rising.blackstar.com/the-art-of-the-headshot.html/comment-page-1#comment-5758</link>
		<dc:creator>Dave</dc:creator>
		<pubDate>Wed, 02 Sep 2009 05:22:27 +0000</pubDate>
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		<description>The Che Guevara photo by Alberto Korda is probably the best image ever taken. 

One doesn&#039;t need to be a &quot;commie&quot; to recognize that.</description>
		<content:encoded><![CDATA[<p>The Che Guevara photo by Alberto Korda is probably the best image ever taken. </p>
<p>One doesn't need to be a "commie" to recognize that.</p>
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		<title>By: Denver Commercial Photographer</title>
		<link>http://rising.blackstar.com/the-art-of-the-headshot.html/comment-page-1#comment-5752</link>
		<dc:creator>Denver Commercial Photographer</dc:creator>
		<pubDate>Tue, 01 Sep 2009 19:09:29 +0000</pubDate>
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		<description>I totally agree with what you&#039;re saying as far as working from lots of different angles goes.  I find that no matter what I&#039;m shooting, to get a great shot I&#039;m almost never standing.  I&#039;m either crouched, or standing on something to get more dynamic angles.  Of course you have to get what&#039;s going to &quot;get you paid&quot;.  But I find that the shots that I like the most have more dynamic angles to them.</description>
		<content:encoded><![CDATA[<p>I totally agree with what you're saying as far as working from lots of different angles goes.  I find that no matter what I'm shooting, to get a great shot I'm almost never standing.  I'm either crouched, or standing on something to get more dynamic angles.  Of course you have to get what's going to "get you paid".  But I find that the shots that I like the most have more dynamic angles to them.</p>
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		<title>By: J,C, López-johnston</title>
		<link>http://rising.blackstar.com/the-art-of-the-headshot.html/comment-page-1#comment-5744</link>
		<dc:creator>J,C, López-johnston</dc:creator>
		<pubDate>Tue, 01 Sep 2009 00:16:40 +0000</pubDate>
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		<description>Charles:

I have &quot;learned&quot; to do portraits with my close friends. I focused on &quot;how do I want to remember then in 20 years&quot;. Do you know which is the kind of smile that your best friend has? Which is the most common gesture of your preferred family member?
 But a  WARNING: All the people complain about HOW LONG TAKE me &quot;to take&quot; the picture! Do not get sensitive with that kind of comments... it is between your decisive moment and YOU! . OF COURSE, there are limits when you are working for hire... If you work for hour rating... it can be problematic!
My approach is to DOCUMENT the person instead of &quot;taking&quot; a fashion picture.

Best JC</description>
		<content:encoded><![CDATA[<p>Charles:</p>
<p>I have "learned" to do portraits with my close friends. I focused on "how do I want to remember then in 20 years". Do you know which is the kind of smile that your best friend has? Which is the most common gesture of your preferred family member?<br />
 But a  WARNING: All the people complain about HOW LONG TAKE me "to take" the picture! Do not get sensitive with that kind of comments... it is between your decisive moment and YOU! . OF COURSE, there are limits when you are working for hire... If you work for hour rating... it can be problematic!<br />
My approach is to DOCUMENT the person instead of "taking" a fashion picture.</p>
<p>Best JC</p>
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		<title>By: Charles Carstensen</title>
		<link>http://rising.blackstar.com/the-art-of-the-headshot.html/comment-page-1#comment-5742</link>
		<dc:creator>Charles Carstensen</dc:creator>
		<pubDate>Mon, 31 Aug 2009 19:24:32 +0000</pubDate>
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		<description>What a clear, concise, excellent statement about portrait photography. Portraits have always been my disadvantageous area of photography. After reading this I am encouraged to persevere.</description>
		<content:encoded><![CDATA[<p>What a clear, concise, excellent statement about portrait photography. Portraits have always been my disadvantageous area of photography. After reading this I am encouraged to persevere.</p>
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		<title>By: Richard</title>
		<link>http://rising.blackstar.com/the-art-of-the-headshot.html/comment-page-1#comment-5741</link>
		<dc:creator>Richard</dc:creator>
		<pubDate>Mon, 31 Aug 2009 18:57:09 +0000</pubDate>
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		<description>NICE. Cheers to communicating the idea so clearly.</description>
		<content:encoded><![CDATA[<p>NICE. Cheers to communicating the idea so clearly.</p>
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	<item>
		<title>By: J.C.López-Johnston</title>
		<link>http://rising.blackstar.com/the-art-of-the-headshot.html/comment-page-1#comment-5739</link>
		<dc:creator>J.C.López-Johnston</dc:creator>
		<pubDate>Mon, 31 Aug 2009 13:26:52 +0000</pubDate>
		<guid isPermaLink="false">http://rising.blackstar.com/?p=5891#comment-5739</guid>
		<description>John:

NIce article...! Excellent approach...!

I am in 300% agree with you. I have been well recognized by my portraits, I like to stil / capture / get people.

About: &quot;But it requires patience. French photography legend Henri Cartier-Bresson’s thoughts on the “decisive moment”. I would like to add that  is &quot;patience to learn to read your subjects&quot; &gt; It is completely different to portrait a fashion model than get into the real feelings of the human being. I have been told hundreds of times &quot; I do not like how I look in pictures&quot; and which photographer  has not been told  that before? . People want to look like as a fashion super-star because is the &quot;socially accepted&quot; way to be &quot;well seen&quot; in photography. In my own perspective IT IS FAKE, THAT IS NOT YOU!. My approach is to talk to them, with patience, make them feel comfortable with the camera (I use to put it on the table and play with it, clean it.. change lenses) and then  simply wait for the decisive moment when my subjects get relaxed.

Thank you John fore sharing your experiences!
JC</description>
		<content:encoded><![CDATA[<p>John:</p>
<p>NIce article...! Excellent approach...!</p>
<p>I am in 300% agree with you. I have been well recognized by my portraits, I like to stil / capture / get people.</p>
<p>About: "But it requires patience. French photography legend Henri Cartier-Bresson’s thoughts on the “decisive moment”. I would like to add that  is "patience to learn to read your subjects" &gt; It is completely different to portrait a fashion model than get into the real feelings of the human being. I have been told hundreds of times " I do not like how I look in pictures" and which photographer  has not been told  that before? . People want to look like as a fashion super-star because is the "socially accepted" way to be "well seen" in photography. In my own perspective IT IS FAKE, THAT IS NOT YOU!. My approach is to talk to them, with patience, make them feel comfortable with the camera (I use to put it on the table and play with it, clean it.. change lenses) and then  simply wait for the decisive moment when my subjects get relaxed.</p>
<p>Thank you John fore sharing your experiences!<br />
JC</p>
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