After a 12-month beta period that tapped the brains of 500,000 photographers, Adobe Systems this week released Photoshop Lightroom 1.0.
Designed primarily for pros, the tool allows users to import, manage and present large volumes of digital images. The software has added new functions since beta began; Lightroom’s Library function, for example, now lets users employ keywords to help sort through large image collections, as well as better organize photographs.
The New York Post reported today that Getty Images, Inc. is in advanced talks to acquire Jupitermedia Corporation. It’s unclear how much Getty is willing to pay for Jupitermedia, but sources close to the deal said the image company could fetch more than $11 a share, or nearly $450 million including debt. Jupitermedia has been generating about $135 million annually.
James T. Phillips’ description in CounterPunch of photographing war presents an odd picture of combat photographers. I can’t argue with his general line that the war in Iraq is going to leave a generation of Iraqis with some terrible mental images — who can? — but the idea that “[t]he ranks of front-line photo-journalists in Iraq are now filled with native-born Arabic-speaking men, women, and children” is just plain wrong. At least as far as the images recorded on memory cards rather than retinas are concerned.
Reuters launched a new blog this week where the news agency’s photo editors and photographers will blog about “what makes a great picture” and share “the most eye-catching images from the hundreds reviewed every day.”
As the editorial director at Black Star, I’m fortunate enough to look at between 10 and 15 portfolios every week. Unfortunately, very few of those portfolios lead me to take on the photographers who created them.
Zagreb, Croatia — Wow! Just arrived into country No. 62, which is a tad over one for every year of my life.
I once commented to a picture editor at National Geographic that spending so much time away from home was pretty rough. He looked at me and in a very lazy Southern drawl commented, “Being a photographer is one helluva life — and just be thankful you’re leading that life.”
Scott noted that the winners of the World Press Photo of the Year 2006 awards were announced recently. As always, the quality of the winning entrants was outstanding. You can see them all here.
I’ve always admired the resilience of professional photographers. But that resilience is really being put to the test now; few industries have changed so much in such a short space of time. A great picture might still be a great picture — that will always be true — but the technology used to take that image has changed, as has the means of returning it to photo editors, the photography market that can buy it… and just about everything else too.
Throughout the years I’ve worked as a photojournalist, I have been privileged to encounter many people working in a range of ways to improve the lives of the world’s disadvantaged, misunderstood and marginalized. One such group of people is the Jesuits, an order of Catholic priests.
American photographer Spencer Platt of Getty has won the 50th annual World Press Photo of the Year award for his remarkable photograph of affluent young Lebanese surveying the destruction of war from inside a red convertible.
Good Widgets is a site where you can create custom photo widgets to show photography on your blog or Web site. 901am blogger David Krug hails it as “a killer photography display product.”
Recently on CNN, Stewart Butterfield, founder of Flickr, was asked why Flickr doesn’t license rights to its pictures like iStockphoto.
Butterfield answered, “That’s something we haven’t actually started yet but we’ve spent a long time thinking about it. Everyday we see people buying photos from Flickr users, and it’s a very complicated, difficult and frustrating process for both sides. It’s something we’ll be looking at more closely and probably doing some stuff in the next year.”
Say what you will about pinhole photography — but it’s hard to argue with its staying power. As we approach Worldwide Pinhole Photography Day on April 29, 2007, we prepare to celebrate a form of lens-less image-making that has been around since the time of Aristotle.
Ready to create your own coffee-table book? Efotolab has partnered with Blurb.com to enable photographers to compose, publish, print and sell their own books.
From Rich Legg, digital photography enthusiast:
What you are seeing is a capture of a lightbulb in the process of burning out. To create the shot, my friend Harley and I removed the glass enclosure of a standard household lightbulb (while leaving the innards intact) and powered it up in a pitch black room. The result was an immediate burn-out … The red hue on the smoke was added in post-processing.
Ryerson University has selected Toronto architects Diamond + Schmitt to design a new gallery and research center to house the Black Star Historical Black & White Photography Collection.
It seems clear from Getty Images’ announcement of the Lifesize collection in November and their opening of their RF brands to iStockphoto’s top photographers that the company wants to add a lot of new images quickly. But cranking up the new systems necessary to encourage photographers to submit, editing to determine who is approved to submit and integrating the images into the database may take a little time.
A Morristown, N.J., court will decide whether to dismiss an indictment of a man and his girlfriend who were arrested for taking photographs of women’s buttocks in public places, such as parades and fairs.
A remarkable black-and-white photography exhibit, Matthew Pillsbury’s “Screen Lives,” runs through Feb. 24 at the M+B in Los Angeles.
As described by Sharon Mitoza of Wired:
Sometimes you’ve just gotta have fun. So in the name of lightheartedness and some silliness too, here are two sites that are sure to put a smile on your face.
Running from Camera is a photoblog begun last June by Muggezifter with these simple rules: “I put the self-timer on 2 seconds, push the button and try to get as far from the camera as I can.”
The last few times I’ve flown, I requested a window seat so I could photograph what was outside — sometimes the clouds, sometimes the rivers and fields, sometimes the skyscrapers below. Especially interesting was making the same cross-country trip during different seasons and comparing what the landscape looked like during summer and then during winter.
Aaron Johnson, who describes himself as “40% photographer, 60% Photoshopper,” draws an amusing online comic strip called “What the Duck” that professional and amateur photographers alike should enjoy.
There’s an interesting conversation
going on at Lightstalkers. Matthias Bruggmann writes that he’s been working with the curatorial team at Musee de l’Elysie in Lausanne, Switzerland, on the “We Are All Photographers Now!” exhibit.
“I’m a made-man, man, and when you come outside I’ll get you. Don’t you worry, we’ll be waiting.”
He had unwashed, thick brown hair that was tipped with blond streaks. His face was pushed into mine and he was screaming at me. Pushing and shoving in the tiny lobby of the hotel were about five of his gang members, yelling and telling me what they were going to do with me when I came outside.
As more and more images are being used on the Web, rights-managed (RM) sellers need to find an appropriate way to price based on such usage.
In my 2001 edition of Negotiating Stock Photo Prices, I offered a very simplified pricing system that basically had three categories – National Corporation, Regional Corporation and Local Corporation – and four sizes of uses. Considering the many ways that images are now used on the Web, this strategy is totally inadequate.