ImageDo Embedded Photojournalists Actually Work for the Pentagon?

By Dennis Dunleavy, communications professor and Black Star Rising columnist
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ImageEye on Image-Making: Cousin Lou Comes to Visit

by David Weintraub, photography instructor and Black Star Rising columnist
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Advice from the Pros
The Beauty of the Slideshow -- Now Available to Everyone PDF Print E-mail
Written by Stanley Leary   
Monday, 21 January 2008
ImageEven before the Internet, I appreciated the slideshow. I created presentations with multiple projectors and audio, and I was always impressed with what the combined media could communicate. Even compared to video -- where you move right through a moment so quickly you can miss the subtlety of it -- the slideshow has its unique charms.

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Public-Domain Photographs Can Be a Source of Revenue PDF Print E-mail
Written by Rohn Engh   
Wednesday, 16 January 2008
ImageWhile you probably spend most of your time as a photographer thinking about making images, occasionally an editor or commercial client may request your help in finding images -- such as historical photos -- to illustrate a project. Fortunately, some of the most amazing images ever captured are freely available; they're in the public domain.

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Hey, Know Any Good Photographers? How to Get on an Agency's Radar Screen PDF Print E-mail
Written by Bill Green   
Tuesday, 08 January 2008
ImageAgencies need photographers just as photographers need agencies. So if you're a photographer looking to work with an ad agency or design firm, it helps to understand how agencies look for you.

When it comes to finding photographers, word of mouth rules. For years, I've scanned all the photography books and the ads in them, the photography annuals, online portfolios from reps, and so forth. I've learned that nothing is as reliable as WOM.

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Macro Photography: The Magic of Nuance PDF Print E-mail
Written by Stanley Leary   
Saturday, 05 January 2008
ImageI remember the moment clearly. I had just finished playing Haydn's Concerto In E-Flat Major For Trumpet for the first time without any mistakes.

"Now you are ready to start working on it," my music teacher said.

I was so disappointed; I thought I had nailed the piece and was ready to move on to something else. But while I had played each note on the page correctly, I was being taught an important lesson: only by mastering the nuances could I avoid sounding like a robot on the instrument.

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When Do You Need a Model Release? PDF Print E-mail
Written by Rohn Engh   
Tuesday, 01 January 2008
ImageThe recent case of Virgin Mobile using a Flickr photo in an ad campaign without the model's permission has once again raised the issue of model releases. When are they necessary, and when are they not required?

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Six Steps to Banish Dust from Your Digital Images PDF Print E-mail
Written by Stanley Leary   
Monday, 31 December 2007
ImageDust has been a source of frustration for digital SLR users from the beginning. Those little specks are like blood clots in the digital workflow -- slowing you down or even ruining your best work. Sure, you can remove imperfections in Photoshop, but when those specks get on your sensor, every single photo will need to be fixed until the problem is addressed.

You're much better off preparing on the front end, aren't you? Here are six steps to ensure a dust-free photo shoot:

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Notes from the VisCom Classroom: End of Semester PDF Print E-mail
Written by David Weintraub   
Sunday, 02 December 2007
ImageFall classes at the University of South Carolina end on Dec. 7, so I want to take this opportunity to discuss what worked well (and what worked less well) in my two visual communication courses -- J337, Photovisual Communications, and J537, Advanced Photovisual Communications.

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