Don’t Sell Pictures; Sell What Pictures Do

Ron Rovtar has spent much of his life looking through the camera's viewfinder. After graduating from the University of Cincinnati in 1972 with a degree in philosophy, Rovtar became a journalist for 10 years working at several Ohio daily newspapers as a writer, photographer and editor. Rovtar became a full-time freelance location photographer in 1982, shooting commercial and editorial assignments in Columbus, Ohio. He turned his attention to stock photography in 1990 when he signed a contract with FPG International. His work has appeared in ads for Microsoft, IBM, NEC, Huntington Banks, Wendy's International and Toledo Scale. His images have also been used by Time Magazine, Child Magazine, Kipplinger Books, Scholastic Publications and many others. in Business of Photography on February 27th, 2008

A picture isn’t worth very much. Everyone has lots of them. They clog computer hard drives and spill out of boxes. Children cut them out of magazines (or download them from the Internet) and paste them into school projects that will be discarded in a few days.

A picture isn’t worth much. But what a picture does — what the right picture does — can easily be worth thousands, tens of thousands, hundreds of thousands, even millions of dollars to the company that uses it.

The picture is almost always the first element of an ad, brochure, magazine cover or Web page that registers with a consumer. It is the handshake, the first impression. It is what cuts through the visual clutter and captures a consumer’s attention.

In the vast majority of communications efforts, the picture is the difference between reaching a target audience or failing to reach it.

Since designers and art directors are judged by their product, pictures also play an important part in defining their career paths. For many creatives, the effective use of pictures equals success.

But image distributors and photographers continue to sell pictures rather than benefits. As long as they do, stock image prices and assignment rates will continue to drift downward.

To halt this decline, image distributors and photographers must constantly remind customers that they get much for dollars spent on good pictures.

It is time all of us focus on commercial and editorial photography’s most fundamental marketing message: Great pictures make companies a lot of money. Even at the highest prices, pictures provide incredible financial returns.

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3 Responses to “Don’t Sell Pictures; Sell What Pictures Do”

  1. I have always said, you sell emotion, not emulsion. J

  2. I'll have to remember that line, Jeffrey

  3. Reminds me of another famous line - clients buy pictures not because they like the image but because they need the image.

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