A Body of Knowledge on HIV

Michael Coyne has worked on assignments and appeared in magazines such as Newsweek, Life, Time, National Geographic and the Smithsonian. His numerous awards include: American National Press Photographers Association, Overseas Press Club of America, New York Art Directors Award, Book of the Year, Children’s Book of the Year, The Religious Book of the Year. In April 2003 Michael was awarded the "Centenary Medal" by the Australian Government for Service to Photography. His corporate clients include Pepsi, Exxon, McDonalds, Citibank, General Motors and IBM. Michael has been contracted to Black Star for two decades. in Photojournalism on May 16th, 2007

Like most photojournalists I work alone and have always preferred it that way, because I find that’s when I get my best pictures. However, when Graham Pitts, an Australian writer, asked me if I was interested in working with him on a project called A Body of Knowledge about women who were HIV Positive, I thought it would be a great opportunity to work in a multimedia context.

My experience with photographing AIDS in different parts of the world has been to focus on the effects — which, of course, were devastating. The idea of being able to produce a strong, upbeat project about women who were HIV positive sounded like a great challenge.

The idea we came up with was that the women would be interviewed about themselves, a section of the words would be written on their bodies, and a short summary of the interview would be placed next to each image. It was decided early in the project that each image should portray a part of the body, but not always the face, because a number of the women wished to remain anonymous.

During the photo session, I would shoot a series of images and then show the model what I was doing, so they could feel comfortable about the image. If they weren’t happy with the picture, we would discuss the problem and shoot it another way or from a different angle.

Even though I am aware that Photoshop can be used to produce writing on the body, I wanted something more authentic, an original image. Also, I felt that it would be photographically more interesting to be able to see through the writing and to have the words mold around the body. So I used a tattoo product that could be removed after the photography shoot had taken place.

The project was not without its challenges, but I enjoyed the collaboration. It made a change from my usual, more solitary approach to photography.

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